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‘You Don’t Know Nothing’ introduces a more mature sound to what we’ve heard from Matt previously. Moody piano and punchy hip-hop beats work in unison to establish a streetwise swaggering production, a soundbed with a dark pop undercurrent  which suits the grittier soul-meets-rock tone of Matt’s voice. His lyrics are just as vehement: if you think you know who Matt Terry is, it’s time to rethink your expectations.

Matt Terry has enjoyed immense success over the years, with a #3 chart position for ‘When Christmas Comes Around’ (written by Ed Sheeran), 130 million streams for his debut artist track ‘Sucker For You’ and a Platinum certified Top 20 hit with the Enrique Iglesias and Sean Paul collab ‘Sύbeme La Radio’.  Matt took the brave decision to step back from the limelight and become a go-to collaborator for artists as varied as international names David Guetta, Little Mix and Galantis, K-Pop favourites SEVENTEEN, and Dutch dance star MOTi. He also played Stacee Jaxx in ‘Rock of Ages’.

When Matt returned as an artist in his own right with last year’s ‘You Don’t Know Nothing’, the reaction proved that there was still a huge audience for him as the single hit #1 on the iTunes Pop Chart, #3 on the iTunes Chart, while the depth of his songwriting was further explored with the follow-up, ‘Ghost of Me’. It was around this time that Matt first publicly vowed that his new music would be a candid expression of his personal growth, and that’s a promise he has lived up to with ‘His Car’.

“End Scene opens with the words ‘here we go,’ which suggests that we’re getting ready to kick off the album and the song. But it goes beyond that. It’s the deep breath you take before diving into the unknown. Out of your comfort zone, out of your daily routine. It’s the start of something new and chaotic. It’s about gracefully embracing your fate instead of resisting it. Facing it calmly, clearheaded, focusing on what is in front of you. It’s a close encounter with the end of the world, while knowing that there will be something afterwards,” explains the artist. Boldly spanning 6 minutes and 30 seconds, the single – which has Holubowski credited for the lyrics, music, co-production, guitars, synths, and vocals of course – is divided into three distinct movements. The first part highlights how vast the work of a lifetime can be, each moment stacking up to form who we are. The next part depicts the ease with which everything can vanish. Existence is inherently fragile. And the final part facilitates the transition from chaos to serenity, with the knowledge that the end is not only inevitable, but also desirable. “End Scene” offers a complete, complex statement, with interconnecting ideas, as well as the title of the upcoming new album somewhere in the first verse, an enjoyable detail.

Matt Goss returns with ‘Somewhere To Fall’; the first taste of new music from his forthcoming studio album ‘The Beautiful Unknown’. ‘Somewhere To Fall’ is released globally today.

‘Somewhere To Fall’ bears all the markings of a true Matt Goss classic with the star’s unmistakable vocal adding raw energy as it soars throughout, creating euphoric pop perfection. The track’s powerful, emotive lyrical impact is woven against modern, contemporary production that feels instantly anthemic and uplifting. This is a song that existing and new fans alike are going to rejoice in. ‘Somewhere To Fall’ marks a return to a genre that made Goss a household name and is a powerpop anthem that feels like a hit single in waiting.

Matt explains; “With ‘Somewhere to Fall’, I wanted to write an intelligent pop song, and I’ve disguised quite a heavy lyric within a joyous pop song. ‘Somewhere to Fall’ is about finding a safe place to rest our strength. That might be with a partner, in your home, a park bench, I don’t know where it is. But it’s somewhere for you.”

It was 6 months into the pandemic that realisation eventually pushed Goss back to his first love: songwriting. This next chapter sees Goss baring his soul for the world to see as well as emerging from a turbulent year stronger and more determined than ever before.

Early on Matt had a title for this new collection of songs that were pouring out of him – ‘The Beautiful Unknown’ was a phrase that came from the poetry Goss likes to write away from his musical projects. Explaining the phrase, he says: “We have been conditioned to fear tomorrow, to fear next week, to be fearful of next year certainly. Because there is this unknown energy around all of us – no time more than now. And I’ve been through the ringer during Covid, betrayed by some people, uplifted by others. So,’ The Beautiful Unknown’ is a request to people to come along with this philosophy that tomorrow is going to be a good day and a good place.”

Produced at the storied Record Plant in LA, with additional recording in Nashville, ‘The Beautiful Unknown’ is the album Matt Goss needed to make now.

“I wrote this song called ‘Shipwreck’ at 3am. It’s a song about not wanting to give up, about feeling broken, the analogy of a shipwreck underwater, the image of everything being slowly dismantled by the tide. And I kept writing the next night, and then I called Babyface. And him being a wonderful human being said he loved it and that I should come to his studio in LA and record it.”

That note of encouragement from Kenneth “Babyface” Edmonds, one of the all-time great producers, un-stoppered a new burst of creativity for Matt Goss. He also began collaborating with Jacob Bunton, the Emmy-winning songwriter and multi-instrumentalist who’s worked with everyone from Mariah Carey to Steven Tyler, Smokey Robinson to Akon.

After 10 years, thousands of shows and hundreds of thousands of happy concert-goers, the British musical legend is leaving Las Vegas and has decided to come home to where it all began. Goss will still be based some of the time in Los Angeles, his home (alongside Las Vegas) for almost three decades. But his focus looking ahead is more on working and performing in the UK, the place that rocket-powered the teenage Goss to the top of the charts, cultural phenomenon status and a headline gig at Wembley Stadium – a feat that made Goss the youngest male ever to headline the legendary venue, a record he still holds today.

“I want to go back to my people and to my world,” he concludes. “I have to get back to pop. I’m so happy to say I’ve fallen back in love with pop music, and the power of pop music. There’s no hiding that on this record.”

MARZFAY IS THE NEXT BIG MUSICIAN TO COME STRAIGHT OUT OF SOUTH LONDON,CREATING A NEWWAVE THROUGH MIXING HIP HOP, INDIE, POP AND ROCK.WITH A STRONG SENSE OF WHO IS SHE IS AS AN LGBTARTIST THAT TALKS OPENLY ON LOVE, PAIN & YOUTH – SHE HAS ACCUMALATED OVER 35K+ STREAMS ON HER DEBUT EP AND CONTINUES TO WORK WITH INDUSTRY PROFESSIONAL ENGINEERS AND PRODUCERS, SUCH AS MATT SCHWARTZ AND SCRATCH.

HER ABILITY TO WEAVE POETIC LYRICS THROUGH MELODIC BEATS HAS PLACED HER AS AHEADLINERAT VENUES SUCH AS, RICH MIX (SHOREDITCH), BOXPARK AND THE NATIONAL THEATRE STAGE. AS A FAN OF MARZ’ PUT IT: “SHE IS DIFFERENT, I’VE NEVER HEARD SOMEONE DO THIS BEFORE- AND HER ABILITY TO CAPTIVATE ANDENTERTAINAN AUDIENCE IS CRAZY.”

Spruce, vibrant, cheerful and heartily healthy ‘like a butcher’s dog’, Marti Pellow certainly isn’t going to be glib enough to say he had a good 2020. But, musically, he did. And then some.

So in case anyone might’ve thought Pellow had had a bit of time on his hands, they’d be wrong. Because as well as his hugely successful ‘Lockdown Sessions’ – filmed in his home studio throughout the first lockdown as a way to keep in touch with his fans, and enjoyed by over 12 million of them – 2020 saw the musician push on to finish songs for Stargazer, his new album out on March 26^th on BMG. It’s the latest instalment in a remarkable solo career that’s seen him embark on a new project pretty much every other year since he left multi-platinum selling pop sensations Wet Wet Wet in 1999.

Or, to put it another way: Pellow has done more as a solo artist, for longer, than he did as frontman with the totemic pop band who dominated the British charts for large swathes of the Eighties and Nineties. And that includes a 15-week run at #1 on the UK singles chart in 1994 with their cover of Love Is All Around, famously taken from the soundtrack to Four Weddings and a Funeral.

London-based progressive pop singer-songwriter Marsha Swanson will release her highly anticipated 17-track album, ‘Near Life Experience’, on January 19, 2024. Brace yourselves for a new-year journey as Marsha kicks off 2024 with a sensational fusion of soul-stirring melodies and profound storytelling inspired by greats such as Kate Bush and Carole King!

Marcelo de la Vega is the antithesis of toxic masculinity, which he pours into everything he touches as he pushes boundaries and expectations in his visuals and storytelling. His writing is a navigation of his experiences and observations of relationships, family, gender norms, drug use, and privilege. A ‘typical’ scene for those growing up in the new millennium.